Category Archives: Color
Thank you, to the almost 2,000 people that signed up for my Topaz Webinar on Tuesday afternoon. From the feedback, it seems to have been successful. My friends at Topaz have made the special webinar discount code available to share on my blog. If you want to save 30% on any Topaz products including the new Impression (which I love) or the full suite, use the code barclayweb13 at check out. The discount code is only valid through Saturday, November 1st.
The blog image below from Childs Park in PA, is one where I used Topaz Clarity in my demo. Clarity allowed me to add subtle local contrast adding “pop” to this image. It also gave me the ability to add vibrance and saturation to the colors making them look as I recall when shooting it.
There is still time to register and attend my Topaz webinar this afternoon. Here is a link to do so, https://www4.gotomeeting.com/register/361809535. I’ll cover the new IMPRESSION as well as DETIAL, CLARITY and B&W EFFECTS 2. And because many are asking in my workshops, I’ll touch on my approach to RAW processing before I use Topaz plug-ins. Hope to see you there!
This image is my homage to my friend Bill Strom who passed from cancer three years ago. One of his last projects was to photograph color behind fallen leaves. Miss you Bill!
A favorite stand of Aspen. What drew me to this was the more open feel as opposed to a wall of color. To me this is much more interesting as it adds a graphic element, and a sense of story. A wall of color can be pretty but tends to look more like a postcard.
I’m curious, how do you feel about the leaning tree on the left side of the frame?
While waiting for the clouds to move and light up the grand landscape we were focused on, off to the right this little scene was happening. I waited for soft diffused light to illuminate the horse and the pasture. Of course a stand of colorful aspen didn’t hurt either.
As a side note. This was shot with the 16:9 aspect ratio available with my Fuji X-T1. I use the three different choices (1:1, 16:9 and 2:3) often as a way to pre-visualize how it will look. I do not lose any data as the full 2:3 raw file is left intact. But, when I open it in Lightroom, I see the in-camera crop which is nice. If I want to see the full 2:3 image, I simply click the crop tool and there it is.
The other day, a blog reader asked that I show the color version when I post a b&w image so she could compare. I posted a different version of this scene the other day in b&w. For the color version here, I’ve added the gravel road and trees on the right to my composition.
The last thing I used for my processing of this image was Perfectly Clear from Athentech. If you are interested in this great piece of software, twice a year they offer it at 1/2 price. Starting this Friday the 9th and ending on the morning of Monday the 12th, simply click this link and you’ll be sent to a page where you’ll be able to pick up your preferred version for 1/2 off. I think you’ll be pleasantly surprised at just how good this program is. A “no-brainer” at half price.
I love this picture in color, AND, I love it in B&W.
I asked my wife which she liked best, she said, “I like them both, however, they each evoke a different emotion. They create two very different moods. The color is full of life and happiness making me want to go there. The B&W is full of mystery, drama and wonder. What lies beyond the fog?” I am frequently suggesting that B&W is a choice, and should be used with purpose. I believe the two versions here illustrate my point well. Neither is better than the other, however, each creates a very different response from the viewer. That is of course unless you’re Cole Thompson to which color is noise or Chuck Kimmerle who sees color as the anti-christ. Which do you respond to?
A note for the Fuji fans out there. I shot the entire trip to the Smokies with the X-E2. To say I am happy is an understatement. I wanted to shoot the new X-T1, however, the Really Right Stuff “L” bracket did not arrive in time. The good news is they started shipping this week. This was shot with the 10-24mm zoom at 10mm which is effectively 15mm in the full frame world. Very happy with this wide angle zoom from Fuji.
When we were in Death Valley, our focus was the dunes, however, we decided to take one run at Zabriskie for sunrise. It is an iconic spot not to be missed. We picked the right day as we were treated to a great moment. By far the best sunrise light and clouds I’ve seen there. I’ve included a color and B&W version.
With the threat of another snow storm in the air, I decided to immerse myself in some images from Longwood Gardens taken a few years ago. I can’t wait to spend a day there next month when the tulips are placed along the fabulous garden walk. Its been a tough winter here in the northeast. We are ready for some warm weather!
For the bottom picture, I used Alien Skin Snap Art to give it the painterly feel. Snap Art ROCKS!
My friend Stan had the great idea of going to Longwood Gardens to stimulate our senses with a breath of color having endured this winter of endless cold and snow. So, here is a splash of color to compliment my recent series of B&W images. Don’t worry, I have more B&W images to come. I even have one from Longwood!
Fuji X-E2 – Fuji 60mm Macro at f/22
Processing inspired by Kathleen Clemons. Nik Color Efex Pro, Glamor Glow, Soft Focus, Darken Lighten Center, and Viveza