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When we arrived at this location, it really was not the right time of day to include the barn. The sun was behind the barn leaving the front side in shadow. It would have been nice to have some light on the barn, however, the sky was working and so were the cloud shadows raking across the fields. I also liked the fence leading to the barn. So, rather than be discouraged, I began working the scene. As I looked back on what I took, I made 10 different compositions. I went in tight, I included more, I waited for the cloud formation to change, I waited for the rolling shadows to change. I finally settled on this spot with just part of the barn. My first composition included two windows. It felt a bit static, so I included three in my next composition. Then I waited until the roof of the barn would sit in blue sky rather than white clouds. Last but not least, I waited for the cloud shadows to roll through the image to give depth. In the RAW file the front of the barn was indeed dark, however, I knew I could work on this in post. Once again, Perfectly Clear was applied first and then I worked the file further in Lightroom and a bit more in Photoshop along with Nik Viveza.

I’ve posted and alternate composition below just for fun. While it does not have the nice cloud shadows in the field, I do like the lines created by the fence, grain and dirt.

If you did not see my recent post about Perfectly Clear, I think its worth a look. Click here.

Don’t forget we are heading back to Death Valley, Valley of Fire and a night in Las Vegas with Chuck Kimmerle in February.  Spots are filling up for this unique opportunity to spend time with a master b&w photographer. Chuck is great fun to be around too! More information is available on my tour page.

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